Ripple Studios

Ripple Studios Our portfolio extends from action footage, advertising, promotions, corporate communication, training (and even OH&S) to documentary and film making.

Ripple Studios is a film, advertising and web content production group providing filming, design, editing and post production services to a wide range of clients. The Ripple Studios group was forged in 2008 through the union of animation and special effect capabilities with its cornerstone film making reputation. Today this union allows Ripple to design and produce high end commercial films and do

cumentaries with full cinematic animation, motion graphics and special effect elements... all in house. We are fortunate to have some of Australias most inspiring talent providing an integrated capability from design, on-set production to editing, compositing, colour, audio, animation, graphics and special effects. A simple strategy; combining top talent with a significant investment in modern digital film making technology has allowed us to integrate our end to end work- flow seamlessly, which provides savings for our clients and control of quality from concept to launch. Standing behind the group are more than 30 years of multinational executive experience of its directors. It was the directors common passion for film and visual media and brand development that resulted in the formation of the group and continues to be the motivating force behind its continuing success. The blending of talented creative artists with 21st century digital technology and a sound corporate business background gives Ripple Studios a unique advantage especially in helping businesses understand and deliver brand, image and product equity to a new world of visually demanding consumers.

05/08/2013

Team works hard, plays harder.... a few days off in the snow. Music and video elements courtesy of respective artists. Credits acknowledged.

30/05/2012

We've produced commercials for many hotel groups, but occasionally we come across a jewel in the rough. Unassumingly hidden away in beautiful Siem Reap, Cambodia and nominated for the prestigious Worlds most Luxurious Hotel, the sensational Alila Sothea was completed in 2009 by a local business as a tribute of his love for the woman, Sothea. Hot listed by Conde Nast Traveller (USA) this boutique luxury resort reflects life's finest and the very sanctuary she inspired. Alila Sothea and is the only resort in Cambodia to offer private butler service in all its suites.

Ripple Studios
when image matters
www.ripplestudios.com.au

30/05/2012
20/03/2012

The Sate Emergency Service began raising awareness of major flooding potential across Central and South Eastern NSW during the weeks before rain fell heavily in March. To message the many rural communities Ripple partnered with Prime 7 to quickly develop and broadcast a television commercial in time for most effected areas to prepare.

Shot over 2 days in Wollongong and at a private property near Peats Ridge in NSW the community announcement was produced with voice-over and final approvals in just a few days. It was filmed with 3 cameras including our impressive new F35 CineAlta and AF100 large format HD cameras - great cameras until you're chased around the paddock by a bull !!

Thanks to Andrew and Steve of SES and Grant of Bushels Cattle Company for their great work, talent and assistance.

Ripple Studios
when image matter
www.ripplestudios.com.au

BAD BLOOD  (ABC - Australian Story title)Late on August 28, 1993 the parents and eldest son of a Sydney family were stab...
09/11/2011

BAD BLOOD
(ABC - Australian Story title)

Late on August 28, 1993 the parents and eldest son of a Sydney family were stabbed to death in their family home. On the basis of admissions and material evidence the court convicted the youngest son, Jeffrey Gilham, for the manslaughter of his older brother, who it was said had killed his parents. Gilham was released on bond and remained a free man for nearly one and a half decades, however following settlement of the murdered parents Last Will the Supreme Court assembled in 2006 to retry Gilham on emerging new information, a case that was over-turned by the jury who were unable to reach a verdict.

Despite diminishing evidence Gilham was yet again retried in 2008, with a jury siding toward the prosecutors case of "unexplained intervals" in the chronology of events. Gilham was convicted to serve two life sentences for the murder of his parents. With another appeal set for November, 2011 this notorious case has raised as many questions around the quality of evidence as have been raised about the influence in human interperetation of that evidence.

Like many such complex cases the material evidence is only as good as the contextual influence with which it is presented to the court.

Recently broadcast by ABC's AUSTRALIAN STORY, we take you behind the scenes as we develop case research material for this baffling case > http://www.ripplestudios.com.au/

Ripple Studios
when image matters

www.ripplestudios.com.au

Share and win a prize on us.When UK surf company Brass Monkey came to us for their TV Commercial the first image to mind...
16/10/2011

Share and win a prize on us.

When UK surf company Brass Monkey came to us for their TV Commercial the first image to mind, (from vivid recollections of surfing experience in the North Sea), was surfing with ice. .... so we had a theme, but how to create a 60 second video that would strongly associate Brass Monkey as a recognised brand of choice for surf gear with the European market (image from TVC below). With an unseasonably warm and wet Australian winter and Euro summer a good snow location was just one challenge. So how did we do it? Look at the image and tell us how we might have created this and be in the running for a professional edit of your favourite home videos (worth $AUD2,775).

Ripple Studios
when image matters
www.ripplestudios.com.au

Setting up our Robinson 44 dynamic HD cam for yesterdays aerial shoot (for TVC in November).  Needing to film in city ai...
21/09/2011

Setting up our Robinson 44 dynamic HD cam for yesterdays aerial shoot (for TVC in November). Needing to film in city airspace for some shots we considered using the R/C heli cam, but it's always better to edit in large format HD for broadcast, plus the wind was an issue (easy to crash and expensive). We couldn't use the Cineflex this time because we had to film up with door-off for jet fly-overs. The Robbo isn't the easiest to film with as the 2 blade rotor creates a lot of blade vortex shudder and we have to use our 4 gyro camera rig - which makes tracking 270 km/h flybys a bit more difficult. Generally we film with the 4 blade Bell 407, but the nimbleness of the Robbo worked better for this complex shot sequence and timeframe.

Ripple Studios
when image matters
www.ripplestudios.com.au

http://www.theage.com.au/Melb/RSVIRSeptember 17, 2011Person shares virally with 100,000 around the world! Ever watched a...
20/09/2011

http://www.theage.com.au/Melb/RSVIR
September 17, 2011

Person shares virally with 100,000 around the world!


Ever watched a YouTube video with 100,000 views and wondered how it got so many “hits”? Chances are that behind the video is a company working hard to make it happen – a company like this.

Chris , founder of the visual content development group Ripple Studios explains.

“When most people talk about viral (networked) campaigns they’re usually referring to well known videos like John West Salmon with it’s 300 million views, or Quicksilver Dynamite Surfing, which received 12 million views in the 4 days after launch, netting 18% increase in global sales.

Such tremendously successful networked campaigns are much more than just a good video. There are over 60,000 videos uploaded to YouTube each day, but very few will go viral organically because no one can find them, and no one will share them.

In much the same way as a viral infection needs a viable organism, an environment to prosper and a means of distribution, the successful web campaign triangle requires clever audio-visual stimulus, a well-considered target market and a purposely-seeded launch for fast propagation.

The underlying principal of networked marketing is to establish a credible, psychological association of your brand, product and service in the right hemisphere (and to a lesser extent left) brain functions of your potential target market. Web based video campaigns are arguably today’s most valued marketing tools because they're relatively inexpensive and they can influence expansive societal networks not reached by traditional marketing.

Well made, exciting and emotively stirring videos can evoke brand prestige and company / product / service profile with exponentially more clients than your web site, material advertising and sales team alone.

Since 2008 we have been rigorously tweaking the cause and effects of networked campaigns to ensure that our promotional videos maximize the viral potential of the web. I should preface by saying that pre-defining a networked campaign outcome is very difficult but there are three guiding principals we use to maximize the potential of the web for our clients:

1. Your target market is the campaign.

It’s not only what it is, it’s how it spreads - fans are your brand. Design your campaign around why and how your target market would distribute your video. Avoid the common mistake of forcing a concept to fit your brand; your audience will almost certainly be more responsive to your concept than your brand.

Remember your audience will only carry your branded content if it is relevant, it is culturally elevating, it is entertaining, and it creates social or networked benefit.

2. Content is the catalyst

Whoa. Before you go hire your friends wedding videographer, successful campaigns need more science today than ever before. You don’t want to set-up your image badly. Perception very quickly becomes reality on the world stage and it’s very difficult to reverse. We have been engaged to fix too many viral campaign disasters caused by poor content, design and structure. By example - No matter how funny a client may see it, surfing content for tsunami-torn Japan is simply not going to sell insurance, but will severely compromise any brand credibility.

- Your concept needs to cater to your audience’s motives and culture, your content needs to be shareable and it needs to be share-worthy.

- Use the powerful psychological and emotional connections that only audio-visual content can provide. Great video’s might look simple but chances are they have been carefully architected and composed using specialist neurologically effective filming techniques, structure, timing and audio dynamics.

- Over-estimate the acuity of today’s world of visually demanding customers; they are extremely perceptive and have high expectations. Don’t try to disguise an outright advertisement, make it amazing, keep it concise in less than 60 seconds and above all remember the quality of your video will reflect the quality of your brand, so make it stand out in every way.

3. Seed it for rapid growth.

The essence of seeding is to harness the focal points of the webs traffic. Over 100 million videos are currently watched each day on YouTube alone and like other video hubs most are accessed through ‘most viewed video’s’ pages. Being one of 20 videos front paged in YouTubes ‘most viewed today’ gives you potential of 5 million initial views.

Generally a new video has a ‘strike life’ of 48 hours, after which it becomes more challenging to achieve the threshold views to keep it in the weekly or monthly most viewed list. So planning for concurrent seeding of all the relevant web focal hubs is critical.

We use various techniques to help propagate our video’s, from engaging comments, Blog embedding, forum threads and Facebook, to multi-point sharing, email lists and various other tactics that create excitement and interest around the video. While critical to the success of a networked campaign, they do take a lot of resources, effort and experience.

Outlook

In 2010 global Internet video traffic surpassed global peer-to-peer (P2P) traffic and by 2015 Internet video will account for over 60 percent of all consumer Internet traffic. By 2015 it is projected that on average each person will have 2 networked devices capable of distributing internet video, and over 1 million minutes of video will pass through the web every second*.

So while the future of network-based visual content marketing is looking very promising for personal, recreational and commercial promoting, gone are the days where a posted video will go viral organically. As the world internet traffic quadruples the rewards for successful video campaigns are becoming more and more significant, but achieving true viral promulgation takes dedicated creativity, structured methodology, a lot of very hard work and a little bit of luck.”



Ripple Studios is a South Pacific production company headquartered in Sydney with expertise in networked (viral) marketing, business promotion, web development and visual content delivery. Building upon its cornerstone filmmaking reputation and backed with solid web marketing experience it is the much sought after “middle man” between expensive advertising agencies and technical web developers.

Ripple Studios
when image matters
http://www.ripplestudios.com.au
02 94840011

*Data: Cisco Systems Visual Networking Index 2011

05/09/2011
The light is fading in a well respected metropolitan neighborhood as a major sporting event draws to a close, the last c...
01/09/2011

The light is fading in a well respected metropolitan neighborhood as a major sporting event draws to a close, the last competitors dragging themselves across the finish line. Without warning a huge explosion rips through the crisp night air, flames and debris pervade a 300 metre radius. Through dense smoke and twisted wreckage the feeble cries for help from the injured and helpless.... Within minutes several emergency combat agencies are mobilized, working with precise union, each taking well-versed responsibility to manage the situation, preserve the injured and recover the dead. Precision and efficiency derived only from years of intense training and practice as, fortunately, was this event. But it's not always this way. We've been doing this for a long time and our camera's continue to roll, capturing every performance aspect of these highly skilled emergency technicians to intensely scrutinise even the most minute improvements to perfect their readiness as individuals, as teams and as a collective emergency service. These smallest improvements make the biggest impact - they save lives.

Back in Hamilton Island for Audi Yacht Race Week. Sun, ocean, camera's and... Bohemes Night Club!!.  But the showcase......
01/09/2011

Back in Hamilton Island for Audi Yacht Race Week. Sun, ocean, camera's and... Bohemes Night Club!!. But the showcase... Kiwi Simon Hulls 5 ton, 36 knot, 60 foot, carbon, ORMA trimaran....

May 14. Early hours. 7 teams, 156 competitors, volunteers and VIP guests, as well as 8 rescue trucks and some 250 tonnes...
15/06/2011

May 14. Early hours. 7 teams, 156 competitors, volunteers and VIP guests, as well as 8 rescue trucks and some 250 tonnes of rescue equipment from the NSW SES Northern Region converge on Hunters Hill.

Watch the video www.ripplestudios.com.au

Ripple Studios

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Darlinghurst, Norwest
Sydney, NSW

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