08/03/2026
Experimental in-studio table reads are going to be scheduled. These will happen in either Pontiac or Ypsilanti. I have post-production sound tracks of all script material shot so far, that will be the basis of ADR and reshoots. This is an announcement for everyone who as been on camera for the project so far in anticipation of ADR scheduling during post. We are aiming for completion of Episode 1-4 concurrent with all filming for those episodes, but additional ADR (or whatever equivalent it ends up being called for unshot sequences) for **everything we have**.
In a nutshell, we will compose something very much like a radio play for the entire show this way. Starting now, which means some of the material we take down will guide filming as much as the film shot so far will guide timing of the dialogue delivery, story pacing etc. It is a win win which gets more of us under the same roof at a time without needing to worry about wardrobe. I hope you are intrigued.
This is going to roll out among all Adhoc projects: Monday Doesn't Exist, Dreams of San Lorenzo, BIllion Dollar Caveman and Peck (2028). There is a chance this will also envelop MPMedia legacy stuff, yielding a radio teleplay of all unmastered RADIO FREE FANDOM material, Jack U*i and a lot of things for which we have creative propriety. Bringing all these into the same house will make the act of audio mastering for a simply stated purpose and viable products much more routine and easier to plan for.
Automatic performer credit for all projects in writng and verbally where applicable. Some proof of concept is coming very soon, and we'll see how it rolls.
Many thanks in advance to our future partners in audio mastering, Bruce and Ron. I will forward them detail and you'll be tuned in after they are.
