Jhoanne Loube, Designer

Jhoanne Loube, Designer Conventional rooms disappear to be replaced by a seamless sequence of living spaces… light and airy interiors that make optimum use of available space.

This is “the art of flow." This is the art of Jhoanne Loubé. CONSULT DESIGN TRANSFORM

Interior Designer Jhoanne Loube’s approach to design offers freedom. A self-proclaimed “modern” for more than 20 years, she creates clean, spacious, light and distraction-free environments. Loubé has the vision, clarity, conviction and the strength to jump clear over the hurdle of fake historic styles and to

effect a contemporary way of living that makes sense in today’s noisy, intense and consumerist world… Not cold but soothing. Not empty but uncluttered. Prior to embarking on any design project, Jhoanne Loubé and her clients collaborate to make the most significant decisions of the entire creative process. The objective is to create a home where the design resonates with and responds to the experiences, attitudes, personal taste, stylistic design inclinations, emotional needs, financial situation and lifestyle demands of the individuals. Each of these elements along with creative ideas influence the design process, directly or indirectly affecting everything… from how spaces are to be used and how they relate to one another to how money is to be allocated and the types of materials to be used. With hundreds of successful design projects to its credit, Loubé has evolved the firm into a team known for its relationship building among clients and resources, its adherence to the approved budget, its enthusiastic and fresh approach to challenges, and for the quality and excitement it brings to each design adventure. When a house is designed to be more simple and spare in its use of architecture and decoration, each detail and item assumes an enhanced importance. It requires great precision if it is to become convincing. Conventional rooms disappear to be replaced by a seamless sequence of living spaces which produce light and airy interiors that make optimum use of available space. This is “the art of flow”. CONSULT STAGE TRANSFORM

stage was launched by San Francisco design guru, Jhoanne Loubé, in 2002 as a division of her interior design firm, Studio Loubé

stage is a highly specialized “design-to-sell” service utilized by income-property and home owners, realtors, builders and developers to enhance the visual appeal of property, to increase market value, and to expedite the sale. From front curb to back fence, no detail goes unnoticed. Utilizing the homeowners existing architecture, furniture, and accessories and/ or bringing in new ones, stage transforms the interior and exterior into an unforgettable and universally appealing home. stage makes recommendations related to achieving the perfect ambiance that might include repairs, cleaning, renovation, and removal of excessive personal property or simply. Loubé’s vision, eye for perfection, enormous network of resources, timely delivery and team spirit makes setting the stage to sell a magical experience. Benefits to seller include:

· Consultation recommendations that lead to seller achieving their sale goals

· Dramatic transformations

· Exciting and fresh design - Loubé homes have been retained as sets for infomercials and films and have appeared in interior design magazines and hardcover publications

· On-site project management

· Extensive network of trade professionals

· Competitive fees

· Timely completion

· Builds interest among multiple buyers

· Helps obtain the best possible selling price

· Sells home in record time

Clever marketing can only get potential buyers to the front door. stage creates an environment of peace, warmth and order allowing the potential buyer to visualize themselves and their furniture and accessories in the home. Jhoanne Loubé says, “No project is too large or too small. Each house has unique challenges and that’s the inspiration. Creating a stunning first impression that leads to a rapid sale is so thrilling everyone wins… the home owner, the buyer, the real estate professional and, yes, of course, stage wins too.”

A beautiful story of compassion, love and friendship
12/26/2025

A beautiful story of compassion, love and friendship

Christmas is often regarded as a time for goodwill, but one young UK couple's act of kindness 50 years ago changed their lives forever.On 23 December 1975, Rob Parsons and his wife Dianne were preparing for Christmas at their Cardiff home when they heard a knock at the door.On their doorstep stood a

Beautiful story
12/21/2025

Beautiful story

My father had been dead for three weeks when I found the instruction manual he left for his own ghost, and it wasn’t addressed to me—it was addressed to the dog.

I was standing in the middle of his dusty garage in Oregon, staring at a weathered wooden crate labeled "COOPER’S CALENDAR." Inside were fifty-two sealed envelopes, numbered 1 through 52. Next to the crate sat Cooper, an eighty-pound Golden Retriever with eyes the color of whiskey and a tail that hadn't wagged since the funeral.

I was twenty-eight, a software engineer living in a high-rise in Seattle. My life was optimized for efficiency: grocery delivery, noise-canceling headphones, and zero unnecessary human interaction. My dad, Frank, had been the opposite. He was a small-town mechanic who couldn't buy a gallon of milk without having a twenty-minute conversation with the cashier.

When he passed from a sudden heart attack, he left me his house, his truck, and Cooper. I had planned to sell the house, keep the truck, and… well, I didn’t know what to do with the dog. My building didn’t even allow pets over forty pounds.

I picked up Envelope #1. It was heavy. On the front, in Dad’s messy, grease-stained block letters, it said: “Open immediately. Don't overthink it, Jack.”

I tore it open. Inside was a crisp twenty-dollar bill and a Polaroid photo of Cooper as a puppy, chewing on one of Dad’s boots. On the back of the photo, Dad had written:

“Jack, take the truck. Put Cooper in the passenger seat. Drive to Sal’s Diner on Route 9. Buy two plain burgers. One for you, one for the dog. Sit at the picnic table outside. Do not look at your phone. Watch the sunset. Cooper likes the way the wind smells there.”

I looked at the dog. Cooper looked at me, letting out a heavy, mournful sigh that seemed to echo my own exhaustion.

"Fine," I muttered. "One burger."

We drove to Sal’s. I felt ridiculous. I felt angry. I felt an ache in my chest so deep I could barely breathe. But I bought the burgers. I sat at the picnic table. I fed Cooper a piece of the patty. For the first time in weeks, his ears perked up. He swallowed the meat, licked my fingers, and then rested his heavy head on my knee.

I didn't look at my phone. I watched the sun dip below the fir trees, painting the sky in bruises of purple and orange. For ten minutes, the silence wasn't lonely. It was just… quiet.

That was Week 1.

By Week 8, the "Cooper’s Calendar" had become the only thing tethering me to reality. I had taken a leave of absence from work. I couldn't bring myself to go back to the city yet. The envelopes were changing, though. They weren't just about feeding the dog anymore.

Envelope #12: “Go to the hardware store. Buy a bag of birdseed. Cooper pulls on the leash near the park bench by the pond because he likes chasing the ducks. Don’t let him chase them. Sit on the bench. Fill the feeder. An old guy named Mr. Henderson sits there every Tuesday at 10 AM. Ask him about his grandkids. P.S. Cooper loves ear scratches from Mr. Henderson.”

I went. I felt awkward. I sat on the bench. Mr. Henderson was there, looking fragile and lonely. Cooper didn't pull; he trotted right up to the old man and nudged his hand. Mr. Henderson’s face broke into a smile that looked like it hurt, like he hadn't used those muscles in a long time.

"You're Frank's boy," Mr. Henderson said, scratching Cooper’s ears. "This dog has a better soul than most people I know."

We talked for an hour. I learned Mr. Henderson’s granddaughter was studying coding, just like me. I walked away feeling lighter.

Envelope #20 arrived on a rainy Tuesday in November.

“Go to the underside of the I-5 overpass on 4th Street. There’s a tent city there. Find a veteran named Elias. He has a German Shepherd mix named Sarge. Cooper and Sarge are buddies. Give Elias this fifty bucks, but tell him it’s for dog food. He won’t take it otherwise. Shake his hand, Jack. Look him in the eye.”

This one terrified me. My world was screens and code, not underpasses and homeless encampments. But Cooper knew the way. He pulled me forward, his tail wagging with a ferocity I hadn't seen yet.

When we got there, a man in a tattered army jacket looked up. Before I could speak, Cooper tackled him with kisses.

"Coop!" the man laughed, his voice raspy. "Where’s Frank?"

The silence that followed was heavy. I told him. Elias slumped against the concrete pillar, hiding his face in his hands. Cooper sat next to him, leaning his full body weight against the stranger, offering the only comfort he had: his presence.

I handed Elias the money. "For Sarge," I said, my voice cracking.

Elias took my hand. His grip was rough, his fingernails dirty, but his eyes were clear. "Your dad... he fixed my transmission for free once. He told me everyone deserves to keep moving. He was a good man, son. You got big shoes to fill."

I walked home in the rain, crying. Not out of grief, but out of shame. I had lived in my bubble for so long, thinking my father was just a simple mechanic who didn't understand the complexities of the modern world. I was wrong. He understood the only thing that mattered: Connection.

He wasn't just walking the dog. He was patrolling his community. He was checking in on the lonely, the lost, and the broken. Cooper wasn't just a pet; Cooper was the key that unlocked people’s defenses.

The weeks turned into months. I stopped wearing my headphones. I learned the names of the cashier at the grocery store, the librarian, and the mail carrier. I started fixing things around the neighborhood—a loose fence for Mrs. Gable, a leaky faucet for the single mom next door. I wasn't a mechanic, but I knew how to watch YouTube tutorials, and I had Dad’s tools.

Cooper was always there, my hairy supervisor, wagging his tail, accepting pats, bridging the gap between me and the world.

Then came Week 52. The anniversary of Dad’s death.

The box was empty, save for the last envelope and a small USB drive.

I sat on the floor of the garage, Cooper’s head in my lap. I plugged the USB into my laptop. A video file popped up.

Dad appeared on the screen. He looked tired—he must have filmed this right after the diagnosis—but he was smiling. Cooper was in the background, chewing on a tennis ball.

"Hey, Jack," Dad said. His voice filled the garage, warm and alive. "If you're watching this, you kept the dog. Good. I knew you would."

He leaned into the camera.

"I know you think I left you these letters to keep Cooper happy. But I didn't. I left them to get you out of your head. You’ve always been smart, Jack. Smarter than me. But you can get locked inside that brain of yours. You forget that life happens out here, in the mess."

Dad reached down and scratched the real Cooper in the video.

"A dog doesn't care about your career, or your bank account, or your mistakes. A dog just wants to be with you. They force you to be present. They force you to stop looking at tomorrow and look at right now. And when you walk a dog, you have to look at the world. You have to see people."

He paused, and his eyes grew glassy.

"I’m going to miss you, kid. But I’m not worried about you. Not anymore. Because by now, you’ve realized that Cooper wasn't the one who needed saving. Take care of each other. Over and out."

The screen went black.

I sat there for a long time. The garage smelled like oil and rain and old wood. I looked down at Cooper. He was looking up at me, waiting for the next command.

I realized then that I hadn't opened the final envelope.

I tore it open. Inside was a single key. It was the key to the house. Not a spare—my key.

And a note: “You don’t have to stay here, Jack. But wherever you go, bring the love with you. The world has enough smart people. It needs more kind ones.”

I didn't sell the house. I quit my job in the city and found a remote position that let me stay in Oak Creek.

Every evening, around sunset, Cooper and I walk to the park. We stop at the bench to see Mr. Henderson. We swing by the underpass to drop off supplies for Elias. We walk through town, and people wave. They don't just wave at the dog anymore; they wave at me.

My name is Jack. I used to think success was about how high you could climb. But my father, and a dog named Cooper, taught me that a good life isn't about elevation. It’s about reach. It's about who you touch, who you help, and who you walk beside.

Grief is just love with no place to go. So, take it for a walk. You might be surprised by who you meet along the way.

The owner/architect of this house won the Custom Home Design Award for his design built on this very small piece of real...
01/03/2011

The owner/architect of this house won the Custom Home Design Award for his design built on this very small piece of real estate. The architect and his wife chose me to stage the home for the American Institute of Architects (AIA) tour. I fabricated some pieces of furniture, in a very tight turn-around time, to be part of the tour presentation as well as brought in furniture, accessories, original art and sculpture a

Hundreds of people walked through Strachan Forgan’s San Francisco home the other weekend, but probably few of them realized that the double-height living room, the dramatic open staircase and the luxurious Italian kitchen could all be theirs - should they be in the market for a rather stunning conte

THE SITE: This room resides at the site of a former church and remains of one of my favorite projects.  I knew my client...
12/28/2010

THE SITE:
This room resides at the site of a former church and remains of one of my favorite projects. I knew my client for many years prior to this project. Our introduction began in a gym and our professional association solidified when he hired me to renovate two houses that he owned on an historic street in San Francisco. He then bought the church. On this project I was given total creative license to create whatever I thought he would like and appreciate: this included my designing special walls, decorative projections, smart-house technology, lighting and lighting effects, furniture, built-in cabinetry, closet and office designs and well as all soft goods accessories. He did not want to buy anything ready-made.

THE CHALLENGE:
The client was an habitual and consummate consumer. Although the home was large by most standards, there would never be enough storage space to accommodate all of his possessions

SOLUTION- FEATURED ROOM:
The room pictured was my solution to both his practical storage crisis and my desire to create a beautiful guest bedroom. The custom built-in cabinetry was designed floor- to- ceiling on both long walls of the room. The side you are viewing contained a pull-out desk, drawers, niches to display art objects, double high coat closet AND a Murphy Bed. All cabinetry was then faux painted to emulate concrete. You are viewing the Murphy bed it in its down position ready for guest sleeping. The back wall of the Murphy is back-lit for reading, controlled remotely (as is all lighting in the room) and is covered in the palest blue leather upon which has been oil painted a portrait of the owner as a "royal".

The opposing wall is comprised of floor to ceiling drawers, shelves, cabinets, closets all seamlessly hidden in the concrete finish. There is a small area for seating situated in the center of this wall.

Work was featured on Front Page of Chronicle Real Estate Section
12/28/2010

Work was featured on Front Page of Chronicle Real Estate Section

The beautifully sited mid-century modern home at 19 Belvedere Ave. on the island of Belvedere has twice been given a second chance.

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San Francisco, CA
94117

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