VaulTimes explores the history of cinema and its major influences of culture, technology, language, literature and science and identifies the accomplishments of individuals within the industry through its “Spotlight On . . .” series. Its goal is to educate viewers and readers of all ages of the history of cinema, to outline its cultural impact, to draw parallels from the nostalgic to the present-d
ay cinema, to highlight advancing techniques of telling a story, and to periodically analyze a series of movies or individuals involved in making movies. Cinema (film, movies) came into existence during the latter half of the 19th century, especially after the end of the American Civil War, and was influenced by the increasing technological developments, changes and applications of photographic methodology and equipment and the need to develop a form of mass entertainment that would capture the attention of the ever-increasing population centers of the United States, that would document, for future use, the live action of life all around us. The major influences of cinema can be characterized as culture, technology, language, literature and science. Cinema is a form of storytelling directly related to language and literature that mainly utilizes the auditory and visual senses. The aromatic sense was explored through avant-garde development during the 1960s. The senses of taste and touch have been developed through “physical” forms entertainment related to the ancient Greeks, but not directly with cinema as its present technology exists today. The cultural impact of cinema has produced a wealth of useful information available from older and present day movies produced world-wide. Many of these movies represent a historical significance of a prior time, reflecting the thinking and attitudes of that time. They are a snapshot of the political, scientific, historical, religious and socio-economic events that has shaped our history. The subject matter of cinema embraces the breadth and depth of human imagination, but there are traditional categories that can be identified: Action, comedy, drama, natural science, natural history and documentary just to name a few broad subjects. There are many parallels from the nostalgic to present-day cinema. For example, take the science fiction (sci-fi) genre. Sample any number of outer space-oriented science fiction movies produced during the 1930s, at the end of the 1940s and early 1950s. Compared to the increasingly advanced states of rocket science, space exploration and astrophysics that exists today, these early works will make us smile or laugh as to the crudeness and unscientific approach to what we now know. But, what was once science fiction at one time, many times become science fact at a later time. Most of the movies are based wholly, or in part, on written classics from monumental literary icons of the past to the unknown, but equally important, authors of our time [such authors as Brian Aldiss, Poul Anderson, Piers Anthony, Isaac Asimov, Francis Bacon, Greg Bear, James Bliss, Ben Bova, Ray Bradbury, Anthony Burgess, Edgar Rice Burroughs, Orson Scott Card, Terry Carr, C. Clark, Michael Crichton, Lester del Rey, Philip K. Dick, Arthur Conan Doyle, Greg Egan, Philip Jose Farmer, Alan Dean Foster, Harry Harrison, Nathaniel Hawthorne, Robert A. Heinlein, Frank Herbert, L. Ron Hubbard, Aldous Huxley, Ursula K. Le Guin, Fritz Leiber, C. Lewis, Herman Melville, Larry Niven, George Orwell, Frederick Pohl, Edgar Allan Poe, Carl Sagan, Mary Shelley, Robert Silverberg, Clifford D. Simak, Theodore Sturgeon, Jules Vern, H. Wells, and Roger Zelazny, just to name a few of the hundreds of authors in this genre]. What is interesting, is, if you see a movie based on a classical work, and the movie makes an impact on you, you’ll probably want to read the original work. And the same applies to reading an original work and learning later that it has been made into a movie. Reading books and watching movies complement each other. Science fiction is just one genre to pursue. There are many others: action, adventure, business, comedy, historical, horror, legal, medical, military, natural science, police, political, psychological, religious, sports, and westerns. And, there are many subgroups to pursue: aliens, animals, apocalyptic future, astrophysics, drug culture, martial arts, mutants, silent, terrorism, time travel, vampires, and zombies. The list is almost endless. There are many examples of a single subject being made into a variety of different movies over a period of time. Take for example the subject of “Wyatt Earp” and the “OK Corral”. Compare the 1957 “Gunfight At The OK Corral”, 1993 “Tombstone” and 1994 “Wyatt Earp”. Each movie is very entertaining, is well directed, displays superior acting, demonstrates exceptional editing and producing, has wonderful music, are very different from each other, where one is in black and white and the other two are in color. But there is one thing that all three share: They are historically very inaccurate. Even so, they are very pleasurable to watch, and for some, to watch many times without becoming tiresome. Technology has had a major impact on the cinematic industry. Compare, for example, the 1954 “20,000 Leagues Under The Sea” with the 2007 “30,000 Leagues Under The Sea.” Both movies are based on the work of the French author Jules Verne: The 1954 version is all staged work with props; the 2007 version is heavily made with computer generated imagery (CGI). From time to time, there will be articles exploring acting styles, historical perspective of certain well-known directors, the future development of remakes, sequels, prequels, and series and a comparison of movies to TV series. Even though there have been a large number of trash movies created that are not worth your time to watch, or your money to buy, there are a large number of movies that are wonderfully directed, acted, produced and edited that you will enjoy time and time again. Eventually, there will be a Vaultimes Library of movies made available through our store. Look for future announcements.