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Astera 100% Wireless lighting, for filmmakers, event professionals, and all creative minds. At Astera, we’re passionate about innovative wireless lighting.

For over a decade, we’ve empowered event professionals, filmmakers, and creative minds worldwide to illuminate events, stages, and films with powerful, creative, and reliable lights.

24/10/2026

QuikBeam and HydraPanel got teamed up to illuminate mirrored geodes, bringing depth, dimension, and dynamic lighting to the set for the New Orleans Saints’ Media Day 🏈

For the production team, flexibility was key: "We are choosing Astera for it's quick dynamic integrations into our sets and needing to be able to switch looks on the fly. Different color changes being able to be programmed from both lights make these a seemless option for multiple looks and feels."

Big thanks to Elite Edge and their entire crew for sharing!

Production Company: Elite Edge
Director: Dan Olszewski
DP: Aaron Martinenko
Producer: Louise Dhuyvetter
DMX Tech: Eddie Hamilton
Sr. Production Designer: Nate Tusa
Build Lead: Michael Osowski

“The design and engineering are highly functional, and the fixtures can be focused quickly and efficiently,” shares Tech...
22/10/2026

“The design and engineering are highly functional, and the fixtures can be focused quickly and efficiently,” shares Technical Director at Canadian Stage Brayden Crawford about using QuikSpot and QuikPunch.

Canadian Stage brought Shakespeare’s Twelfth Night to Toronto’s High Park Amphitheatre this summer, one of Canada’s largest outdoor theatre productions, drawing over 30,000 people across its two-month run.

Rigged on vertical truss towers around the 35-metre stage and tucked into foliage at the edges, the fixtures lit the action, up-lit the surrounding trees, and layered colour into the set from the sides. IP65-rated wired and wireless, they held up through Toronto’s unpredictable summer weather, and cutting the lighting rig’s power draw freed up capacity for the rest of the production.

Director: Gregory Prest
Lighting Designer: Logan Raju Cracknell
Lighting Operator: Riley Donovan-Whitelaw
Set and Costume Design: Sim Suzer
Sound Design, Musical Direction and Composition: Olivia Wheeler
Photos: Dahlia Katz (show) courtesy Canadian Stage, and Jeremy Chan (technical) courtesy Apex Lighting.

🔗 Read the full story at astera-led.com/news/dreaming-high-at-canadian-stage

21/10/2026

Vibrant color, a beam that zooms from 13° to 60°, and barely any setup time. Unique Producers Service put QuikSpot to work, showing off just how much range one spotlight can cover. 🙌

No stands, no clutter. Just wireless, battery-ready light placed exactly where it’s needed, tucked right in.Thanks, , fo...
19/10/2026

No stands, no clutter. Just wireless, battery-ready light placed exactly where it’s needed, tucked right in.

Thanks, , for sharing another stunning project!
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18/10/2026

Game day! 🏈

For the Houston Texans’ Media Day ahead of today’s NFL London Game against the Jaguars, Elite Edge needed a backwall that read futuristic on camera, fast to build, and faster to run. Chained together via DMX, the panels delivered dynamic glowing animations that made switching between scenes quick, seamless, and intuitive.

Elite Edge specializes in high-end set design, lighting, and post-production for the sports world, and we’re excited to share more of their work with you throughout the season. 👀

Production Company: Elite Edge
Director: Seth Wozniak
Producer: Louise Dhuyvetter
DMX Tech: Eddie Hamilton
DMX Op: Michael Abel
Production Designer: Nate Tusa

Mumbai, we’re heading your way! 🙌ㅤJoin us at Broadcast India 2026 for hands-on time with our latest lighting innovations...
15/10/2026

Mumbai, we’re heading your way! 🙌
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Join us at Broadcast India 2026 for hands-on time with our latest lighting innovations. Meet the team, test the gear, and talk lighting with us in person.
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📅 October 22–24, 2026
📍 Booth H15-C
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See you there!
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13/10/2026

Sharp focus. Move free.

Astera Pluto delivers the output of a 500W Tungsten Fresnel using just 80W — combining performance with true wireless freedom.

“We tried controlling the light with gyroscopic movement sensors attached to a performer’s body, which worked without any perceivable delay. Combined with the Gobo functionality of the ProjectionLens, it made for some pretty spectacular visuals.” — Áki & Andro, Folding House Productions

12/10/2026

Two Astera Titan Tubes, each set to two pixels. That’s what built the look behind this scene from Sentimental Value, the 2026 Academy Award winner for Best International Feature Film 🏆

Working with Best Girl Lisa Emilie Øverjordet, Gaffer Levi Gawron Trøite takes us back to the early lighting tests for a scene shaped by spontaneity, rhythm, and atmosphere. The subtle movement of the light, timed to follow the clock, brought a natural sense of time passing.

Director: Joachim Trier
Cinematographer: Kasper Tuxen
Gaffer: Levi Gawron Trøite
Best Girl: Lisa Emilie Øverjordet

For Potsy Ponciroli's near-wordless film starring Alan Ritchson, Ben Foster and Shailene Woodley, Cinematographer John M...
08/10/2026

For Potsy Ponciroli's near-wordless film starring Alan Ritchson, Ben Foster and Shailene Woodley, Cinematographer John Matysiak and Gaffer Jason Velez lit the street, the windows and the wet pavement as if a huge vintage neon sign hung overhead. The sign itself came later, in VFX.

"In some ways, we weren't trying to recreate the source as much as recreate the memory of what that source did to a place—the color it put into someone’s skin, the way it reflected off wet pavement or glass, or how quickly it disappeared into darkness." - Cinematographer John Matysiak

Sitting down with us, John talks about making a film like it's 1976, why "punch bowl" light became the crew's shorthand, and how precise tools helped build a much less precise world.

🔗 Read the full story at astera-led.com/news/matysiak-paints-motor-city-in-neon-with-astera

07/10/2026

"It's not just a blinking light, but it's more organic." That's how Gaffer & Lighting Programmer Timo Haapasaari describes creating a realistic TV-reflection effect with Helios Tubes during our IBC talk, "The Gaffer's Eye: Shaping Light Wherever the Job Takes You."

Watch now to see how it was done. 👀

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