Squad Media Pictures

27/07/2025

🎊🎊🎊🎊🎊🎊🎊🎊It’s another ANNIVERSARY DAY! Long live S.M.P… Long live all our Members & Fans!!!🎬🎬🎬❤️❤️❤️🎊🎊🎊🎊🎊🎊🎊🎊

17/05/2025

18/01/2025

9k SUBSCRIBERS🎊🎊🎊🎊🎊🎊🎊🎊🎊we love you all❤️🎊

27/07/2024

Happy 7th Anniversary🎊🎉🎊🎉🎊🎉🎊🎉🎊🎉🎊🎉🎊🎉

07/03/2024

9ja B! Tv2 hits 3,000 Subscribers!!!💥💥💥 Thanks to all our fans worldwide🌍

04/06/2023

The movie shoot 📽📽📽VENGEANCE 📽📽📽was a hit🔥🔥🔥 .anywhere

08/02/2023

Rolling... OJA MORUN...📽📽📽

10/10/2022

9ja Brandz TV2!

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9ja Brandz TV2 is an online tv that entertains you with Nigerian Nollywood movies, Africa Movie series, Music Videos, documentaries, hilarious skits and behi...

01/02/2022

THE STORY OF ADÉGBÖRÒ L'OJA OBA.

ADEGBORO left Ibadan for Lagos in search of greener pasture. He chose to be carrying loads (Alabaru) on his head at Oyingbo market to earn a living.
Few years after, he bought a cart from his savings and this eased the pain of carrying loads on his head for commercial purposes. The Cart also increased his income and he was able to acquire 6 more of its kind which he rented out to others.
Exactly 8 years in this cart pushing business, Adegboro bought a van which many called BOLEKAJA and learning how to drive, he handled the business by himself. 4 years into the Bolekaja business, Adegboro had been a proud owner of 6 Vans.
Being a bona fide Ibadan son, (omo bibi ilu Ibadan) ADEGBORO built a magnificent building at OJA OBA where the Olubadan Palace was situated when it was time to put a roof on his head.
Many people at this period approached Adegboro to show them the secret behind his success. He simply asked them if they could carry loads on their heads in the market to earn income (alabaru)? And their response had always been "NEVER".
He too would spontaneously say “ENI TI O LE SE ALABARU L'OYINGBO, KO LE SE BI ADEGBORO L'OJA OBA" - this is a replica of the adage also in Yoruba land that says; "ÌSASÙN tabi IKOKO TI YIO J'ATA (OBE), IDI RE A GBONA". (A pot that wants to consume a palatable soup must have its bottom burnt or heated with fire first).
In Life, to endure is to achieve. No short cut is sustainable. Enduring wealth is built over time in a small bit but in a persistent way.
Ę FEYIKOGBON OOO!!!

17/01/2022

The Legendary Hubert Ogunde

Hubert Ogunde, (born 1916, Ososa, near Ijebu-Ode, Nigeria—died April 4, 1990, London, Eng.), Nigerian playwright, actor, theatre manager, and musician, who was a pioneer in the field of Nigerian folk opera (drama in which music and dancing play a significant role). He was the founder of the Ogunde Concert Party (1945), the first professional theatrical company in Nigeria. Often regarded as the father of Nigerian theatre, Ogunde sought to reawaken interest in his country’s indigenous culture.

Ogunde’s first folk opera, The Garden of Eden and the Throne of God, was performed with success in 1944 while he was still a member of the Nigerian Police Force. It was produced under the patronage of an African Protestant sect, and it mixed biblical themes with the traditions of Yoruba dance-drama. His popularity was established throughout Nigeria by his timely play Strike and Hunger (performed 1946), which dramatized the general strike of 1945. In 1946 the name of Ogunde’s group was changed to the African Music Research Party, and in 1947 it became the Ogunde Theatre Company. Many of Ogunde’s early plays were attacks on colonialism, while those of his later works with political themes deplored interparty strife and government corruption within Nigeria. Yoruba theatre became secularized through his careful blending of astute political or social satire with elements of music hall routines and slapstick.

Ogunde’s most famous play, Yoruba Ronu (performed 1964; “Yorubas, Think!”), was such a biting attack on the premier of Nigeria’s Western region that his company was banned from the region—the first instance in post-independence Nigeria of literary censorship. The ban was lifted in 1966 by Nigeria’s new military government, and in that same year the Ogunde Dance Company was formed. Otito Koro (performed 1965; “Truth is Bitter”) also satirizes political events in western Nigeria in 1963. An earlier play produced in 1946, The Tiger’s Empire, also marked the first instance in Yoruban theatre that women were billed to appear in a play as professional artists in their own right.

Ogunde’s technique was to sketch out the basic situation and plot, and then write down and rehearse only the songs of his plays. The dialogue was improvised, thus allowing the actors to adjust to their audience. The plays produced by his company usually reflected the prevailing political climate and interpreted for audiences the major issues and the aspirations of those in power.

His company performed with equal ease in remote villages and in metropolitan centres of Nigeria (as well as throughout West Africa). Many of Ogunde’s later folk operas were basically popular musicals featuring jazzy rhythms, fashionable dance routines, and contemporary satire. Through this format, he set an example for a successful commercial theatre and prepared audiences all over Nigeria for his followers. During the 1960s and ’70s his plays became an important part of the urban pop culture of West Africa.

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15/01/2022

ÈÉDÚ loading... here we go again, Crews are ready for the next location shots!🎬🎬🎬