Massart Film Society

Massart  Film Society MASSART FILM SOCIETY SHOWS ARE HELD IN SCREENING ROOM 1 IN EAST HALL IN THE FILM DEPARTMENT @ THE MASSACHUSETTS COLLEGE OF ART BOSTON

MASSART FILM SOCIETY
Programmed by Saul Levine, MassArt Film Society is a screening class for MassArt film students open to those who are interested. We hope to provide access to films and videos not often shown at other venues. Shows begin @ 8pm and are usually held on Wednesday evenings. Occasionally we will advertise a show at another venue or even hold film society at another location in conju

ction with another venue. Please refer to the schedule and posts on the left for details of each screening and pay attention to any exceptions. Upcoming shows on this blog will be first. Scroll down for this season's schedule and below that you will find information on recent shows. There is also an archive of shows from other seasons under past screenings if you would like to get an idea of what kinds of shows we have been presenting. Take notice:
Entrance to MASSART after 7pm is through South Building on Huntington Ave. same entrance as Admissions office. Information email: [email protected]

07/24/2026
07/23/2026
07/23/2026

Tennessee Williams built A Streetcar Named Desire around a gay man who never walks on stage. Blanche's young husband, Allan Grey, shot himself the night she found him in bed with another man.

The 1951 film, with Marlon Brando and Vivien Leigh, kept the poetry and deleted the gay man. On stage Blanche tells her husband "you disgust me." On screen she says "you're weak, I've lost respect for you, I despise you," and the audience is left to guess why.

Joseph Breen's Production Code office forced that rewrite. The Catholic Legion of Decency then threatened to condemn the picture anyway.

Warner Bros. panicked and cut roughly four more minutes without telling Elia Kazan. The trims were supervised by Martin Quigley, the trade publisher who had co-written the Production Code back in 1930.

Kazan took it to the New York Times in October 1951 and itemized twelve cuts, one of them three words long. He asked Warner to release both versions clearly labeled so audiences could pick. They said no.

Warner restored the missing minutes in 1993. Allan Grey did not come back with them. He had been written out at script stage, which is the tidiest way to erase someone.

07/23/2026

Anouk Aimée et Jacques Demy dans la brasserie La Cigale pendant le tournage de LOLA (1961)

📷 Photo Ciné Tamaris

Address

621 Huntington Avenue
Boston, MA
02115

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