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Spectacle Spectacle (est. 2010) is a volunteer-run microcinema in Brooklyn, NY, currently streaming our usual array of programming online.

NEXT WEEK!!! BLIND JUSTICEdir. Benjamin Christensen, 1916Denmark. 100 min.Silent with English intertitles.WEDNESDAY, OCT...
10/21/2026

NEXT WEEK!!!

BLIND JUSTICE
dir. Benjamin Christensen, 1916
Denmark. 100 min.
Silent with English intertitles.

WEDNESDAY, OCTOBER 28 – 7:30 PM
ONE NIGHT ONLY w/ Live Score by Jake Pepper

part of BENJAMIN CHRISTENSEN DEEP CUTS

TICKETS AND FULL PROGRAM DETAILS AVAILABLE ON OUR WEBSITE

A Dramatic Photoplay — A Powerful Drama of the Vengeance of Outraged Manhood Against the Society Whose Only God is the Law

Utilizing prose-heavy intertitles and stark gothic imagery, Benjamin Christensen would help develop the cinematic language for the abundant psychological thriller genre. Christensen helms the lead screen actor as our anti-hero Strong Henry, a convicted murder who’s journey in and out of prison forms the basis of our eerie tale.

This film has Russian hardcoded subtitles for its English intertitles

This year marks the fifteenth year of this beloved Spectacle tradition, so we wanted to celebrate by doing something nea...
10/20/2026

This year marks the fifteenth year of this beloved Spectacle tradition, so we wanted to celebrate by doing something nearly as crazy as the movies Shriek Show has inflicted upon audiences over the years: a three-day Shriek Show marathon, playing one film from every previous edition. Mark and Zach have each delved back into their respective years to pick a favorite from every edition they programmed.

Fourteen years of regional oddities, shot-on-video nightmares, forgotten slashers, supernatural freakouts, bargain-bin monsters, and movies that probably should never have existed in the first place, dragged back onto the big screen for one long Halloween weekend.

We kick things off at 7 PM on Friday, October 30th with the very first film ever screened at Shriek Show, before working our way (almost) chronologically through fourteen years of the marathon.

FRIDAY, OCTOBER 30TH
7 PM / 9 PM / 11 PM

SATURDAY, OCTOBER 31ST
NOON / 2 PM / 4 PM / 6 PM / 8 PM / 10 PM / MIDNIGHT

SUNDAY, NOVEMBER 1ST
3 PM / 5 PM / 7 PM / 9 PM

Full weekend & Single day passes available on our website. Single screening tix available at the door. Cash only!

OCTOBER COUNTRYDir. Donal Mosher & Michael Palmieri, 2009.United States. 80 min.In English.WEDNESDAY, OCTOBER 21 – 7:30 ...
10/20/2026

OCTOBER COUNTRY
Dir. Donal Mosher & Michael Palmieri, 2009.
United States. 80 min.
In English.

WEDNESDAY, OCTOBER 21 – 7:30 PM
SATURDAY, OCTOBER 24 – 7:30 PM

Shot over the course of a year (beginning and ending on Halloween), OCTOBER COUNTRY is a vérité-style documentary that follows members of the Mosher family, a working-class family in upstate New York as they reconcile with the hardships of their daily life that includes unplanned pregnancy, sibling estrangement, poverty, emotional despondency and war trauma. October Country examines and provides insight into the fraught intergenerational cycles that can pervade in blue collar households.

Poster by Brandon Ong-Sy

You’ve got one more chance to see…SHOCK INFINITY
Dir. Jake Griswold, 2025.
United States. 116 min.
In English.
WEDNESDAY...
10/19/2026

You’ve got one more chance to see…

SHOCK INFINITY
Dir. Jake Griswold, 2025.
United States. 116 min.
In English.

WEDNESDAY, OCTOBER 21 – 10 PM

Part-stoner comedy, part-analog horror, SHOCK INFINITY is a psychedelic triptych of loosely connected tales surrounding Jen, the lead singer of the fictional post-punk band Wen. Shot entirely in Cleveland and Northeast Ohio, Jake Griswold’s film oozes the grit, chaos, and charm of the rust belt alongside a heavy dose of magical realism.

IN THE WOODS
dir. Lynn Drzick, 1999
USA. 81 min.
In English.
TUESDAY, OCTOBER 20 – 7:30 PM
WEDNESDAY, OCTOBER 28 – 10 PM...
10/19/2026

IN THE WOODS
dir. Lynn Drzick, 1999
USA. 81 min.
In English.

TUESDAY, OCTOBER 20 – 7:30 PM
WEDNESDAY, OCTOBER 28 – 10 PM

Vengeance is timeless.

A grieving firefighter and his hunting buddy dig up a mysterious grave in the woods and unleash a horned creature with a very long memory.

Shot on a $252,000 budget and hurled into video stores just before the millennium, IN THE WOODS is the kind of shot-on-16mm (and then transferred to Digital Betacam for editing), blood-soaked DIY monster movie that only exists because somebody in Kalamazoo, Michigan really wanted it to. DJ Perry (of Knight Chills fame) stars as Alex Kerwood, a fireman haunted by a mother and baby he couldn’t save, whose grief drives a wedge straight through his marriage. Naturally, the solution is a hunting trip with his buddy Wayne, deep into some very unlucky woods, where things quickly spiral when they stumble on, and dig up, a grave with a three-horned skull in it.

Writer/director Lynn Drzick throws practical monster effects, backwoods folklore, and soap-opera marital strife into a big pot and lets it simmer. The results are gnarly, sincere, and completely unconcerned with things like pacing or plausibility. Drzick, a Kalamazoo native, shot the whole thing on his home turf, roping in local landmarks like Henderson Castle and the now-shuttered Portage Pub, and even got the actual Portage Fire Department to set off real explosions for the film’s more volatile scenes.

This is the platonic ideal of a regional creature feature: a film made by people who clearly loved the genre, bankrolled just enough to actually build a monster suit, and abandoned by history until a recent Blu-ray resurrection dragged it back from the void of long-lost Beta SP masters.

We’re screening Drzick’s newly recut director’s edition, restored and expanded straight from that resurrected master with extra monster footage spliced back in — because if there’s one thing this movie needed more of, it’s the guy in the horn suit.

This Spectober, come dig up something you shouldn’t.

SEVEN FOOTPRINTS TO SATANdir. Benjamin Christensen, 1929United States. 75 min.Silent with English Intertitles.SUNDAY, OC...
10/18/2026

SEVEN FOOTPRINTS TO SATAN
dir. Benjamin Christensen, 1929
United States. 75 min.
Silent with English Intertitles.

SUNDAY, OCTOBER 25 – 7:30 PM
ONE NIGHT ONLY w/ Live Score by Jake Pepper

Hilarity in Hades! Oh Boy! What a Kick!

A must watch for all horror film historians, SEVEN FOOTPRINTS TO SATAN follows the foibles of rich kid Jim Kirkham (Creighton Hale). His naive yearning for adventure and romantic interest for Eva (Thelma Todd) leads him into a spooky house situation that could very well be hosted by Satan himself!

–“wholly baffling from start to finish […] utterly moronic” – Variety

Jake Pepper currently plays guitar and provides vocals for Ace Bandage— the jam-heavy rock band based right here in Brooklyn. Their fondness for improvisation and vast knowledge of timbral music allows them to shift seamlessly through varied sonic palettes. Pepper also performed in Brooklyn synth punk outfit Future Punx.

This screening is part of the BENJAMIN CHRISTENSEN DEEP CUTS series.

LES PROIES DU MALSdir. Antoine Pellissier, 1982France. 147 min.In French with English subtitles.SATURDAY, OCTOBER 17 – 5...
10/17/2026

LES PROIES DU MALS
dir. Antoine Pellissier, 1982
France. 147 min.
In French with English subtitles.

SATURDAY, OCTOBER 17 – 5 PM
SUNDAY, OCTOBER 18 – 7:30 PM

Fragile residents of a nursing home find themselves struggling with Satanic energy. A door to hell just opened …

For years thought lost and only seen in a truncated 90 minute version, LES PROIES DU MAL is the debut feature of Antoine Pellissier, France’s king of drone-horror (most famous for the previously screened Spectacle classic FOLIES MEURTRIERES). Shot on super 8 with no sync sound, it follows a young woman who is sent to a rest home to recover from ‘trouble with her nerves’, only to discover a Satanic conspiracy.

Rescued in its uncut form by Bleeding Skull, Spectacle is thrilled to present this behemoth of bad vibes, synth, fog and gore in its entirety, as originally intended. At once enthralling, hypnotic, exhausting, hilarious, and unnerving, LES PROIES DU MAL has untold delights to offer for anyone willing to get on its wavelength.

Q AND A REMINDER MORBID WEEKENDdir. Chris Shields, 2026.United States. 68 min.In English.SUNDAY, OCTOBER 18 – 5 PM w/ Q&...
10/17/2026

Q AND A REMINDER

MORBID WEEKEND
dir. Chris Shields, 2026.
United States. 68 min.
In English.

SUNDAY, OCTOBER 18 – 5 PM w/ Q&A
SUNDAY, OCTOBER 25 – 10 PM

BUY TICKETS

In California’s San Gabriel Valley a pizza delivery driver dies while on the job leaving three orders unfulfilled. Later, a young woman mourns the dead driver, taking on a number of personas as she grieves. With the specter of the driver haunting the night, the pizzas finally arrive to their intended customers–better late than never.

“There is nothing like Morbid Weekend, an exquisite assembly, a-a-a-a-a-almost more of a curation, of mesmerizing urban tableaux cut together in the dreamiest rhythms that sound the sensual depths of the nocturnal subconscious” – Guy Maddin

“Morbid Weekend is one of those films that moves just a bit ahead of the viewer but comes together as it unfolds in a way that preserves its essential mystery. Shields shows us that the isolation of his characters is rooted in form. The photo scroll scene functions as a quotidian meditation on cinema, motion and the look of love. Have a lovely weekend.” – Christopher Harris

See the whole trilogy in ONE NIGHT (tomorrow) (saturday the 16th) (a day away) !!!FILMS INCLUDE:THE TOUCH OF HER FLESHDi...
10/16/2026

See the whole trilogy in ONE NIGHT (tomorrow) (saturday the 16th) (a day away) !!!

FILMS INCLUDE:

THE TOUCH OF HER FLESH
Dir. Michael Findlay, 1967
United States. 78 min.
In English.

THE CURSE OF HER FLESH
Dir. Michael Findlay, 1968
United States. 78 min.
In English.

THE KISS OF HER FLESH
Dir. Michael Findlay, 1970
United States. 69 min.
In English.

—————————————

Roberta Findlay once speculated that, had her late husband not been able to channel his anger and misogyny into his art, he may very well have become the exact type of violent criminal depicted in his films. And it’s in that spirit that Spectacle proudly presents to our loyal audience of perverts and weirdos the Ultimate Degenerate’s own magnum opus, Michael Findlay’s infamous “Flesh” trilogy.

But apart from Findlay, the real “star” of the series is none other than his co-writer, cinematographer, and spouse, Roberta, whose work on the trilogy extends the material well beyond the grindhouse and into the arthouse. Each film is its own masterclass in economical filmmaking, thanks in large part to Roberta Findlay’s incredibly crisp and nimble black-and-white photography that adds a visual dynamism to every act, no matter how perverse, and accentuates the curve of each blade and bosom. So even if rampant misogyny and sexual violence isn’t really your thing, we can still guarantee that the visual feast each film presents is worth the price of admission alone.

Special thanks to Muscle Distribution, Distribpix, and Something Weird Video.

ALIEN ZONE aka HOUSE OF THE DEADDir. Sharron Miller, 1978United States. 80 min.In English.FRIDAY, OCTOBER 16 – MIDNIGHTT...
10/15/2026

ALIEN ZONE aka HOUSE OF THE DEAD
Dir. Sharron Miller, 1978
United States. 80 min.
In English.

FRIDAY, OCTOBER 16 – MIDNIGHT
TUESDAY, OCTOBER 27 – 7:30 PM
THURSDAY, OCTOBER 29 – 10 PM (w/ Intro from critic & writer Jourdain Searles)

Eventually we all must pass through the…ALIEN ZONE

A delightfully macabre entry in the age old tradition of horror anthologies and one of the first directed entirely by a woman. For what would be her directorial feature film debut, TV veteran Sharron Miller recruited broadcasting undergrads at Oklahoma State University with a modest budget of $685,000 and shot entirely within the rural state.

The overarching narrative linking these tales of terror consist of cheating fail-husband Talmudge (John Ericson) and his encounter with an ominous mortician and his mansion full of deceased bodies. The Mortician (Ivor Francis) begins to give insight into each corpse’s demise, resulting in stories full of anxieties around voyeuristic sa**sm, obsessive competition and most frightening of all… noisy children.

Those who haunt the hall of Spectacle invite you to bring your trick or treat spirit this Spectober for one of the grindhouse era’s most atmospheric and morbid gems.

Special thanks to AGFA.

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124 S 3rd Street
Brooklyn, NY
11249

Opening Hours

Monday 7pm - 12am
Tuesday 7pm - 12am
Wednesday 7pm - 12am
Thursday 7pm - 12am
Friday 7pm - 12am
Saturday 7pm - 2am

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