Spectacle

Spectacle Spectacle (est. 2010) is a volunteer-run microcinema in Brooklyn, NY, currently streaming our usual array of programming online.

FRIDAY 👽 YOUR LAST SHOT AT GETTING PROBED BY...SUROH: ALIEN HITCHHIKERdir. Patrick McGuinn, 1996USA. 74 min.In English.F...
07/23/2026

FRIDAY 👽 YOUR LAST SHOT AT GETTING PROBED BY...

SUROH: ALIEN HITCHHIKER
dir. Patrick McGuinn, 1996
USA. 74 min.
In English.

FRIDAY, JULY 24 – MIDNIGHT

part of DRONECORE MIDNIGHTS

TICKETS AND FULL PROGRAM DETAILS AVAILABLE ON OUR WEBSITE

Why must you kill all the heroes?

Paul, a non-believer in life on other planets, late one night discovers a crash-landed and wounded alien. He rescues the being and is initiated into a psycho-sexual metamorphosis.

What starts out feeling like a familiar regional SOV sci-fi flick quickly morphs into something much stranger and more interesting than your average no-budget genre affair. Awash in acid-house pulse and LSD-smeared video, Suroh is q***r, strange, and genuinely beautiful — less interested in alien contact as sci-fi premise than as a vehicle for transformation. One of the most unique SOV artifacts of the ’90s underground.

Restoration courtesy of Bleeding Skull.

BEST OF BEST OF SPECTACLE⁣A FEAST OF MAN⁣dir. Caroline Golum, 2017⁣United States. 82 min.⁣In English.⁣⁣FRIDAY, JULY 24 –...
07/22/2026

BEST OF BEST OF SPECTACLE

A FEAST OF MAN⁣
dir. Caroline Golum, 2017⁣
United States. 82 min.⁣
In English.⁣

FRIDAY, JULY 24 – 5 PM⁣

In celebration of Caroline Golum’s new feature film REVELATIONS OF DIVINE LOVE, we are honored to bring back A FEAST OF MAN, which enjoyed a successful premiere run at Spectacle in 2017.⁣

Caroline Golum’s rosé-refracted debut feature A FEAST OF MAN is a hilarious drawing-room comedy that pushes its audience to ask unspeakable questions of itself, performing a ruthless re-exhumation of THE BIG CHILL by way of Whit Stillman, Henry James and a pinch of Bette Gordon. Laurence Joseph Bond stars as Gallagher, a wealthy ne’er-do-well sitting on preciously guarded millions; when Gallagher dies in an untimely accident (kept mysteriously offscreen), his valet James (Zach Fleming) summons the late aristocrat’s closest friends (a murderer’s row of a cast including Frank Mosley, Marleigh Dunlap, Chris Shields and Katey Parker) to the family home in upstate New York, where he presents them with Gallagher’s final will and testament via videoconference. It’s revealed that the tony young codger will bequeath his fortune to the group, split evenly, but only if they agree, unanimously, to eat his co**se. A weekend of flashbacks, double-crosses and coastal-elite hand-wringing ensues: some characters retreat further into forced juvenilia while others, remembering all the slights and jealousies of their near/post-adolescent years, find an opportunity to avenge their lost youth. But throughout, the clock ticks with one question: will they go through with it?⁣

A FEAST OF MAN is not like other movies: Golum’s screenplay (co-written by the prolific Dylan Pasture) is at once laden with one-liners and hijinks, yet keeps the audience guessing how blackened its heart really is, how low its comedy of rich people’s poor manners can, and will, go.⁣

JISOEDir. Eddie Martin, 2005Australia, 55 min.In English.SATURDAY, JULY 25 – 5 PM“I’m 24, mate. All I wanna do is paint ...
07/21/2026

JISOE
Dir. Eddie Martin, 2005
Australia, 55 min.
In English.
SATURDAY, JULY 25 – 5 PM

“I’m 24, mate. All I wanna do is paint trains.”

Jisoe follows Australian graffiti artist Justin Hughes (aka Jisoe) over a tumultuous year of his life. Director Eddie Martin found in Justin a very reflective and open subject. He is hilariously candid about his upbringing, his inspirations and his opinions on the state of graffiti culture. 20 years after its release, Jisoe stands as an important documentation of Melbourne graffiti culture and as one of the only existing documents of an illegal street artist allowing themselves to be identified in the act. Justin allows the filmmakers to document him bombing trains, hopping turnstiles and stealing from shops. This unprecedented access results in a film that is unforgettable.

Q&A ON THURSDAY! 🦜THE BIRDS TELL ME ALL THERE IS TO KNOW
Dir. Aidan Cronin, 2026.
United States, 123 minutes.
In English...
07/21/2026

Q&A ON THURSDAY! 🦜

THE BIRDS TELL ME ALL THERE IS TO KNOW
Dir. Aidan Cronin, 2026.
United States, 123 minutes.
In English.

WEDNESDAY, JULY 22 – 7:30 PM
THURSDAY, JULY 23 – 7:30 PM (w/Q&A)
MONDAY, JULY 27 – 7:30 PM

As the Summer comes to a close in upstate New York, Paul, a widowed painter with dementia crosses paths with Sam, a young woman reconciling with the death of her father. 
Despite their brief meeting, both Paul and Sam connect over a shared melancholic sameness, finding themselves drawn in and out of each other’s orbit by the vessel of a birdhouse as they individually go about their daily lives: Paul tending to the maintenance of lonely rural backyard life, and Sam who navigates a relationship on the brink of uncertainty.
Shot on Video8 the precursor format to Hi8 video, the film stylistically positions itself as a cross between an existentially fraught lofi David Attenbourough nature doc, with the frantic improvised dramatic looseness of early Joe Swanberg movies. Set to the ambient sonic pattern of birds, peepers, crickets and moving rivers, which do battle with the reoccuring cacophony of landscapers and lawn mowers that challenge their world– “Birds” invites viewers into its hypnotic rhythm, allowing space to consider one’s owns problems in juxtaposition to the natural world.

LAST CHANCE! THE GOLDEN TRIANGLE (EL TRIANGULO DE ORO)
aka LA ISLA FANTASMA
dir. Jairo Pinilla, 1984
Colombia. 93 mins
I...
07/21/2026

LAST CHANCE!

THE GOLDEN TRIANGLE (EL TRIANGULO DE ORO)
aka LA ISLA FANTASMA
dir. Jairo Pinilla, 1984
Colombia. 93 mins
In Spanish with English subtitles.

MONDAY, JULY 20 – 10 PM

Presented in collaboration with Petroglyph Media, which has been dedicated to preserving and restoring the works of Jairo Pinilla. Anthony Napolitano of Petroglyph will be at the theater for an introduction on July 9th, and Blu-rays of Pinilla’s FUNERAL SINIESTRO—which also contains THE GOLDEN TRIANGLE—will be available for purchase, in anticipation of our screening the restoration of FUNERAL SINIESTRO in August.

An ostensibly straightforward mystery thriller riffing on a bygone generation’s worth of toxic whispers about the Bermuda Triangle, this film (also released as LA ISLA FANTASMA) uses the Panama Canal Zone as a jumping-off point, from whence a young girl and her father vanish out on the high seas. Jack Mendelson, her swollen uncle (who may also be a mercenary/private detective?) decked out in a leather vest and ripped bell-bottom jeans, goes searching for them, with the remaining nephew in tow. Their axes form a puzzle, leading them to a moss-ensconced island housing a mythic miniature pyramid made of solid gold – but the triangle is treacherous, and exposure to it begins to cost Jack his sanity.

Thanks to Anthony Napolitano and Jairo Pinilla.

HANDMAID TOKU: HITS! FROM EIYU CLUBPGM. 02: LILAC
WEDNESDAY, JULY 22 – 10:00 PM
THURSDAY, JULY 30 – 10:00 PMLILAC VERSIO...
07/20/2026

HANDMAID TOKU: HITS! FROM EIYU CLUB

PGM. 02: LILAC
WEDNESDAY, JULY 22 – 10:00 PM
THURSDAY, JULY 30 – 10:00 PM

LILAC VERSION RED ~DREAM OF SHUDDER~
(リラ Ver.Red ドリーム オブ シャダー)
Dir. Yoshihiro Akase. 2001.
Japan. 26 min.
In Japanese with English subtitles.

A woman is stalked nightly by a mysterious stranger. Her only comforts: the glow of the television and her childhood doll Lila, a gift from her father. But Lila is more than a doll. When the stalker closes in, Lila comes to life—not just to protect her owner, but to also guard the whereabouts of a uniquely powerful weapon known as the Peerless Sword.

DREAM OF SHUDDER is pure somnambulance and acute denpa; perhaps EIYU CLUB’s creepiest creation.

LILAC VERSION BLUE ~PURE HEART~
(リラ Ver.Blue ~Pure Heart~)
Dir. Tetsuya Ozaki. 2001.
Japan. 25 min.
In Japanese with English subtitles.

LILA IS BACK!
Lonely otaku Daisuke gets lucky and wins an online bid for a life-sized Lila doll. He keeps her in his apartment and orders her around, until one day Lila is awakened by the magic of life. When Daisuke’s rented Idol girlfriend Honoka returns home, an intriguing feud breaks out, and Lila is forced to unlock her magical girl powers.
PURE HEART is a relatively more polished and cinematic experience from her Red sister, incorporating both the Pinocchio story and a pinch of Norse mythology. What a pairing!

DREAM MONSTER CHAO
(ドリームモンスター・チャオ)
Dir. Michihiko Ichio. 2007.
Japan. 21 min.
In Japanese with English subtitles.

One morning, an ass-slapping goofball called the Dream Monster Chao appears in slacker Haruka’s apartment and offers to help make his treasure hunting dreams come true. When Haruka’s evil landlord arrives to shut down their plans, Chao must kick into high gear and strike back against the forces of evil and property ownership.

Landing more within the bounds of an indie rock comedy, DREAM MONSTER CHAO is stylistically distinct from the LILAC series but thematically linked through its ideas of animacy and service.

Many, many thanks to Gossamer Fansubs for keeping EIYU CLUB alive through their subbing, asset scanning, and video rescue.

BENJI’S WORLD PRESENTS: COSTES, THE MAD MASTER OF SAINT-DENISOver five decades, the French artist Jean-Louis Costes has ...
07/19/2026

BENJI’S WORLD PRESENTS: COSTES, THE MAD MASTER OF SAINT-DENIS

Over five decades, the French artist Jean-Louis Costes has constructed an immense body of work. A prolific songwriter, musician, performance artist, writer and filmmaker, he is perhaps best known, if he is known at all, for his music, especially his synth-driven industrial noise, though his musical output, like his film work, is impressively and deceptively varied.

A camcorder was bought into his practice to archive performances for VHS sales. He turned it on himself in his ruined loft. The first film, ONLY GOD SEES ME, was a solo recording with no crew and no editing experience. The films in this retrospective come out of that lineage. The films were made because the camcorder, the basement, and the body were already there, and because he could take the camcorder on the road. No audience was presumed in advance. The result is a body of films that moves from Saint-Denis to Tokyo, New York, and the Amazonian jungle, and remains outside traditional circuits of exhibition, with no label, no distributor, and no institutional support.

This is a retrospective for viewers willing to meet explicit, confrontational underground work directly. The films are formally and emotionally unhinged, and the lower register is fully present, staged through fiction and performance. Scatological content recurs. Sexual content is unembarrassed and frequently violent. But none of this exists, Costes claims, without dramaturgical necessity. The films remove the usual aesthetic protections. A romantic and playful streak runs through the work, although usually against all evidence. The slapstick humor, beauty, tenderness, frailty, weakness, and failure are part of the mechanism.

PROGRAM 1: WELCOME TO THE JUNGLE

THURS, 7/16 – 7:30 PM
MON, 7/20 – 7:30 PM
FRI, 7/24 – 10:00 PM
TUES, 7/28 – 7:30 PM

PROGRAM 2: THE MAD MASTER OF SAINT-DENIS

THURS, 7/16 – 10:00 PM
TUES, 7/21 – 7:30 PM
SAT, 7/25 – 10:00 PM
WED, 7/29 – 7:30 PM

PROGRAM 3: I LIVE ALONE

FRI, 7/17 – 11:55 PM
SAT, 7/25 – 11:55 PM

STUNTSdir. Mark Lester, 1977United States. 89 min.In English.THURSDAY, JULY 2 – 10 PMFRIDAY, JULY 10 – MIDNIGHTSATURDAY,...
07/18/2026

STUNTS
dir. Mark Lester, 1977
United States. 89 min.
In English.

THURSDAY, JULY 2 – 10 PM
FRIDAY, JULY 10 – MIDNIGHT
SATURDAY, JULY 18 – 10 PM
MONDAY, JULY 27 – 10 PM
FRIDAY, JULY 31 – 7:30 PM

Director Mark Lester (CLASS OF 1999, COMMANDO, FIRESTARTER) blends murder mystery and stunt reel in a film that sits comfortably next to HOOPER and STUNT ROCK. Featuring Robert Forster (MEDIUM COOL, TWIN PEAKS) and Ray Sharkey (a great back-to-back run on CRIME STORY and WISEGUY) as a stuntman and a reporter trying to figure out who is murdering film’s greatest stuntpeople, it’s got everything from slow-motion footage of cars flying end-over-end, a breezy drive-in vibe, multiple helicopter gags, dirtbikes for days and did I mention STUNTS?

MTHE TOWNA Play by Walker Rutter-BowmanDirected by Reñazco.Estimated run time 60 minutes.FRIDAY, JULY 24 – 7:30PMSATURDA...
07/18/2026

MTHE TOWN
A Play by Walker Rutter-Bowman
Directed by Reñazco.
Estimated run time 60 minutes.

FRIDAY, JULY 24 – 7:30PM
SATURDAY, JULY 25 – 7:30PM
SUNDAY, JULY 26 – 7:30PM

The Town is an original play that takes place in a diner in a town called Heist. Across the street a crowd of men has gathered outside the bank, possibly wearing masks and carrying what look like guns—at least to some of the diner’s customers. The play unfolds as a series of conversations between the pairs of diners—the Girl and the Mayor, the Robber and the Town, the Mark and the Adjuster—while the proprietors of the town’s local cinemas, Film Hut and Cinema Palace, comment from the wings. In fact these cineastes are in the movie theater, while the other characters are on the screen… until events unfold to collapse this distinction.

In the course of the play, minds are read, thoughts implanted, friendships formed, valuables brandished, claims denied, parents mourned, seats reclined, senses restored, dreams realized, symbols invented, motorbikes inherited, banks robbed.

The Town references a long lineage of heist cinema, from Big Deal on Madonna Street (1958) to Heat (1995) to Ben Affleck’s 2010 movie of the same title. The characters of the play span generations of the town’s culture and history, and The Town occurs at a moment of colossal change, not just for the theater owners but for the town’s young citizens, including the Robber and Girl, who must find ways to be initiated into a culture—of robbery, or of art—in a state of often violent transition.

Cast:
The Girl . . . . . . . . . . . Alina Jacobs
The Mayor . . . . . . . . . Vita Taurke
The Robber . . . . . . . . Jonathan Hull
The Town . . . . . . . . . . Margaret Wright
The Mark . . . . . . . . . . Asha Futterman
The Adjuster . . . . . . . . Ryan Tully
The Waitress . . . . . . . . Brittany Dennison
Film Hut . . . . . . . . . . . Blake Robbins
Cinema Palace . . . . . . Jonathan Woollen

This event is $10.

*PLEASE NOTE*
Doors will open at ~7pm, and the play will begin at 7:30pm. We will not be able to accommodate late arrivals, so please be prompt. There will be no bathroom access during the performance.

It’s a summer gore-fest.FOLIES MEURTRIÈRES
dir. Antoine Pellissier, 1984
France. 48 min.
In French with English subtitle...
07/17/2026

It’s a summer gore-fest.

FOLIES MEURTRIÈRES
dir. Antoine Pellissier, 1984
France. 48 min.
In French with English subtitles.

FRIDAY, JULY 17 – 10PM
SUNDAY, JULY 26 – 5PM

| TICKETS AVAILABLE ON OUR WEBSITE |

A crazed killer wanders around killing several young women with various weapons. Is there a motive for these crimes or is it purely for the joy of killing?

A masked killer stalks and murders women in a French suburb. That’s it — no motive, no dialogue, no relief. What Pellissier delivers instead is a slasher boiled down to pure signal: forty-eight minutes of blown-out Super 8, warped synth, and gore effects that feel less like horror movie craft than evidence of something that maybe actually happened. Beautiful, cursed dead air, vibe cinema of the highest order.

Preceded by a screening of:

THE CHOSEN ONE OF HELL
dir. Antoine Pellissier, 1985
France. 35 min.
In French with English subtitles.

Two year old little Cindy has been chosen by the devil to become the antichrist.

Restorations courtesy of Bleeding Skull.

Address

124 S 3rd Street
Brooklyn, NY
11249

Opening Hours

Monday 7pm - 12am
Tuesday 7pm - 12am
Wednesday 7pm - 12am
Thursday 7pm - 12am
Friday 7pm - 12am
Saturday 7pm - 2am

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